Alan Licht (solo) Sam Weinberg/Thomas Buckner Duo
September 8, 2024
Full dinner & drink menus available
Seating is first-come, first-serve
Sam Weinberg 2024 Back Room Residency
Full dinner & drink menus available
Seating is first-come, first-serve
Sam Weinberg 2024 Back Room Residency
Full dinner & cocktail menu available
Seating is first-come first-serve
7:30pm doors, 8:30pm music
Full dinner menu available
Seating is first-come, first-serve
7pm doors 8pm music
Full dinner menu available, seating is first-come first-serve
live in the back room
LAURA COCKS & FREDERICO ISASTI
photo by Frank Schindelbeck
Laura Cocks is is a flutist with “febrile instrumental prowess” (The New York Times), who works in a wide array of environments as a performer of experimental music and “creates intricate, spellbinding works that have a visceral physicality to them” (Foxy Digitalis). Laura is the executive director and flutist of TAK ensemble, “one of the most prominent ensembles in the United States practicing truly experimental music” (I Care If You Listen) with whom Laura makes musics “that combine crystalline clarity with the disorienting turbulence of a sonic vortex” (WIRE Magazine). Laura is also a member of Talea Ensemble, and SUN HAN GUILD and performs regularly as a soloist, an improviser, and chamber musician with ensembles such as International Contemporary Ensemble, DeCapo Chamber Players, Third Sound, Wet Ink Ensemble, and many others in NYC and abroad.
Frederico Isasti is a drummer, composer, improviser and audio visual software developer based in Buenos Aires. Having participated as a drummer and co-leader in more than 20 albums of creative music groups (Alan Plachta, Pía Hernández, Elias Stemeseder, Julián Mekler, NUDO, among others) and is internationally recognized by his musical work, Federico is interested in interdisciplinary practice and has composed music for dance and produced hybrid audio-visual performances.
DOYEON KIM & HENRY FRASER
photo by Peter Gannushkin / downtownmusic.net
DoYeon Kim is a traditionally trained Korean artist who plays the gayageum, a traditional Korean string instrument, and has developed a uniquely broad approach to music, which incorporates Korean music, jazz, and improvisation, among other influences. Importantly, she introduced the gayageum into the improvisational music scene worldwide. DoYeon has performed throughout the world leading the Kim Do Yeon Band, and alongside many improvisers, including Tyshawn Sorey, Joe Morris, Agusti Fernandez, Tony Malaby and Anthony Coleman. Her first album, GaPi (2017), intimately combined traditional Korean music and jazz, and was nominated for a 2018 Korean Grammy Award in the crossover album category.
Henry Fraser moved to NYC in 2014, and has has worked with such artists as John Zorn, Ka Baird, Uniform, Brandon Seabrook, Lea Bertucci, and Isa Crespo Pardo’s sinonó. He has toured throughout the US and abroad, playing such venues as the Panama Jazz Festival, Moers Festival, New Orleans Jazz & Heritage Festival, and Lincoln Center. Much of Fraser’s work is rooted in his music for solo double bass, which has culminated in three releases – his latest, Breath Line is scheduled for release in the fall of 2024 – establishing him as a technical and creative force among his generation of bassists.
photo by Peter Gannushkin / downtownmusic.net
plus CAKES XMAS SELECTS ONLY THE UPSETTER
7pm doors, 8pm music
Full dinner menu available
Seating is first-come first-serve
performing live in the back room
KEY HUTCHINSON
is a musician, composer, and producer from Brooklyn, NY. Though primarily known for her work as a professional guitarist, Keyanna is newly embarking on channeling her knowledge of guitar and production into a creative exploration of original compositions.
ALCOVE
Alfredo Colón – saxophone
Hank Mason – electronics
Dominican-American saxophonist and composer Alfredo Colón is a proud New York City native. His playing has been described as authoritative and fiery yet mournful and melodic. Drawing on his interest in Dominican folklore and the works of visionary saxophonists Albert Ayler and Ornette Coleman, Colon creates a musical atmosphere that highlights beauty by framing it in disarray.
Hank Mason is a real person living in Queens, New York. He builds new worlds & tries to better understand the one we live in through music, drawing, and code. Right now he’s most interested in developing hybrid electronic/analog systems for live improvisation-based concerts.
7pm doors 8pm music
Full dinner menu available, seating is first come first serve
performing live in the back room
SAM OSPOVAT HEADVOICE
Peter Evans – trumpet
Brandon Seabrook – guitar
John Hebert – bass
Sam Ospovat – drums
TILT brass
Led by composer, trombonist, and concert producer Chris McIntyre, TILT Brass is a Brooklyn-based organization dedicated to creating new content and contexts for contemporary brass music by producing inventive concert programs, recording projects, and commissioning initiatives. TILT boldly positions itself as the vanguard presenter and advocate for new brass music in New York City. Founded in 2003 by McIntyre and Gregory Evans, TILT Brass’ various projects present the work of living composers with over 50 premiere performancesthus far. Its personnel includes many of the brightest stars from the local brass community in ensemble configurations ranging from solo and chamber groups to experimental brass orchestra. TILT can be heard on releases by the Tzadik, New World, Non-Site, and POTTR labels.
SAM WEINBERG
solo saxophone
$10-30 sliding scale at the door (cash/Venmo, no advance tickets)
7pm doors 8pm music
Full dinner menu available, seating is first come first serve
performing live in the back room
JAMES ARENAS & LOS SUCIOS
“…synthesizes such seemingly disparate traditions as the pleading and desperate modern chanson of Jacques Brel; the liquid, undulating dreamscape of David Lynch; and the shadowy sounds of Leonard Cohen.”
James Arenas – Guitar, Lead Vocal
John Anderson – Upright Bass
Mike Chambers – Electric Guitar
Amy de Arenas – Piano, Synths
Mike Glanzer – Cajon, Percussion
Claudia Mogel – Violin
+special guest
HARVEY VALDES
performing Erik Satie Improvisations for solo guitar
$15 at the door (cash/Venmo, no presale)
7pm doors 8pm music
Full dinner menu available, seating is first come first serve
performing live in the back room
KWAMI WINFIELD
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“A multi-disciplinary type who plays trumpet, drums, electronics, trash, Kwami creates collections of visual creations, rocks, pez dispensers. Her music can touch on the relationship of externalized sound and the ancillary, grotesque functions required to produce them. Looking for windows between noisy circuits and noisy bodies, both bubbling from complications to resource consumption and procurement.”
PHONG TRAN
is a Brooklyn-based composer and visual artist primarily working in digital and electronic mediums. His work revolves around emotional experience in digital and nonphysical spaces. Phong’s most recent work, The World We Left Behind, is a ballet made in collaboration with Troy Schumacher (NYC Ballet) and BalletCollective. The work was inspired by a newly commissioned tabletop roleplaying game by Samantha Leigh in which two players collaboratively explore an abandoned world and uncover shared mysteries and secrets.
SAM WENC
is a composer, improviser, and interdisciplinary artist working with sound, text, performance and installation. Wenc has released music on Where to Now, Moone Records, Noumenal Loom, Sweet Wreath, and Obsolete Staircases. He has performed throughout the US, Canada, and Peru. He’s been artist-in-residence at Elektronmusikstudion EMS (Stockholm, Sweden) and Art OMI (Ghent, NY). In 2022, he composed the score for artist Sophia Giovannitti’s short film “A Monopoly of Violence” presented at Duplex Gallery NYC.
+ all night selector JUSTIN FRYE
…is a musician and visual artist from Virginia Beach, VA, who has been based out of New York City since 2003. Frye has released 5 LPs + countless tapes, 7”s and EPs with his project PC Worship, which also acts as a vessel for his visual art, photography & writing.
$20 at the door, cash/Venmo, no advance tickets