Menu

Category: Events


Sam Weinberg 2024 Residency

April 25, 2024

7pm doors 8pm music

Full dinner menu available, seating is first come first serve

performing live in the back room

SAM OSPOVAT HEADVOICE 

Peter Evans – trumpet

Brandon Seabrook – guitar

John Hebert – bass

Sam Ospovat – drums

TILT brass 

Led by composer, trombonist, and concert producer Chris McIntyre, TILT Brass is a Brooklyn-based organization dedicated to creating new content and contexts for contemporary brass music by producing inventive concert programs, recording projects, and commissioning initiatives. TILT boldly positions itself as the vanguard presenter and advocate for new brass music in New York City. Founded in 2003 by McIntyre and Gregory Evans, TILT Brass’ various projects present the work of living composers with over 50 premiere performancesthus far. Its personnel includes many of the brightest stars from the local brass community in ensemble configurations ranging from solo and chamber groups to experimental brass orchestra. TILT can be heard on releases by the Tzadik, New World, Non-Site, and POTTR labels.

SAM WEINBERG 

solo saxophone

$10-30 sliding scale at the door (cash/Venmo, no advance tickets)


DUAL 3 curated by Savannah Harris

7pm doors 8pm music 

Full dinner menu available

Seating is first-come first-serve 

performing live in the back room

KEY HUTCHINSON

…is a musician, composer, and producer from Brooklyn, NY. Though primarily known for her work as a professional guitarist, Keyanna is newly embarking on channeling her knowledge of guitar and production into a creative exploration of original compositions.

ALCOVE (Alfredo Colón & Hank Mason) 

Dominican-American saxophonist and composer Alfredo Colón is a proud New York City native. His playing has been described as authoritative and fiery yet mournful and melodic. Drawing on his interest in Dominican folklore and the works of visionary saxophonists Albert Ayler and Ornette Coleman, Colon creates a musical atmosphere that highlights beauty by framing it in disarray.

Hank Mason is a real person living in Queens, New York. He builds new worlds & tries to better understand the one we live in through music, drawing, and code. This has taken many shapes over the years: He’s played piano for dance companies, designed his own virtual instruments, and repaired accordions. Right now, he’s most interested in developing hybrid electronic/analog systems for live improvisation-based concerts.


Patchwork Literary Salon: K-Ming Chang, Megan Milks, Maeve Barry

April 22, 2024

Patchwork, a feminist literary salon, brings together writers across genres and stages in their careers to create a colorful tapestry of radical, experimental, and intersectional feminist conversation and community. Join us monthly for readings, lively discussion, drink specials, books for sale, and an opportunity to mingle and connect with fellow feminist writers and readers!

DATE: Wednesday, May 8
TIME: 7:00pm doors; 7:30 start
LOCATION: SISTERS, 900 Fulton St., Brooklyn, NY 11238

Patchwork is produced by the Feminist Press, the world’s longest-running feminist publisher. Founded in 1970 to diversify the literary canon, FP is proud to publish books that ignite movements and social transformation, and works to create a world where everyone recognizes themselves in a book. With Patchwork, Feminist Press aims to bring together a wide variety of writers to create an energetic, exciting space for feminist and independent literary community in New York.

🪡 ABOUT OUR READERS 🪡

K-MING CHANG is a Kundiman fellow, a Lambda Literary Award winner, a National Book Foundation 5 Under 35 honoree, and an O. Henry Prize winner. She is the author of Bestiary (One World/Random House, 2020), Bone House (Bull City Press, 2021), Gods of Want (One World, 2022), and Organ Meats (One World, 2023). Her books have been New York Times Book Review Editors’ Choice selections, included on the New York Times Notable Books list, and considered for the Center for Fiction First Novel Prize and the PEN/Faulkner Award. She can be found at kmingchang.com.

MEGAN MILKS is the author of Margaret and the Mystery of the Missing Body, named a Lambda Literary Award finalist, and Slug and Other Stories, both published by Feminist Press, as well as Tori Amos Bootleg Webring, published in Instar Books’ Remember the Internet series. With Marisa Crawford, they coedited We Are the Baby-Sitters Club: Essays and Artwork from Grown-Up Readers.

MAEVE BARRY is a writer living in Brooklyn. She has stories in/forthcoming from FENCE, the Sewanee Review, Post Road Magazine, Sleepingfish and other places. She is working on her first novel.

Patchwork is hosted by NADINE SANTORO. Nadine Santoro is a multi-disciplinary artist, writer, and facilitator. She works as the Publicity & Events Coordinator at the Feminist Press, leads retreats, and teaches on creative attention. Nadine is the co-host of the podcast Thinking Straight, a lesbian anthropological dig into the world of heterosexual romance novels, and writes The Doorway, a biweekly snail-mail newsletter. She lives in Brooklyn with her girlfriend and their two senior dogs, Knives and Young Neil.

Logo and graphics by Neeti Banerji. Books will be available for purchase courtesy of Hive Mind Books. This programming is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.


Bodymuck: Three Readings

Readings start at 8pm

Full dinner menu available, seating is first come first serve

VIDA ADAMCZEWSKI is an award-winning disabled writer. Her lyric play, AMPHIBIAN, was commissioned for the Play Mill Festival in 2021 at the King’s Head Theatre, Islington. IN 2022, Vida received the UEA New Forms Award from the National Writing Centre for AMPHIBIAN. Vida performs regularly at live poetry events across London and is the founder of Yer Bard, a monthly poetry event in South East London. Her writing appears in The London Magazine, Mslexia, Document Journal, Ambit and Vittles. Vida’s debut collection of writing, Amphibian & Other Bodies, was published by Toothgrinder Press in November 2023.

CAOILINN HUGHES is the author of The Wild Laughter, which won the Royal Society of Literature’s Encore Award and was longlisted for the International Dylan Thomas Prize, and Orchid & the Wasp, which won the Collyer Bristow Prize and was longlisted for the International Dublin Literary Award. She was recently the Oscar Wilde Centre Writer Fellow at Trinity College Dublin, and a Cullman Center Fellow at the New York Public Library.

YASMINE SEALE is a writer and artist whose work includes poetry, criticism, translation and printmaking. Among her translations from Arabic are The Annotated Arabian Nights (W. W. Norton, 2021), described by the New Yorker as “an electric new translation”, and Something Evergreen Called Life, a collection of poems by the Sudanese writer and activist Rania Mamoun (Action Books, 2022). She is the co-author of Agitated Air (Tenement Press, 2022), a collaboration with Robin Moger responding to the visionary poet and metaphysician Ibn Arabi. She is currently a fellow of the Cullman Center for Scholars and Writers at the New York Public Library. She also teaches in the Writing Program at Columbia University.

 





James Arenas & Los Sucios

April 17, 2024

7pm doors 8pm music 

Full dinner menu available, seating is first come first serve 

performing live in the back room 

JAMES ARENAS & LOS SUCIOS

“…synthesizes such seemingly disparate traditions as the pleading and desperate modern chanson of Jacques Brel; the liquid, undulating dreamscape of David Lynch; and the shadowy sounds of Leonard Cohen.” 

James Arenas – Guitar, Lead Vocal
John Anderson – Upright Bass
Mike Chambers – Electric Guitar
Amy de Arenas – Piano, Synths
Mike Glanzer – Cajon, Percussion
Claudia Mogel – Violin

+special guest
HARVEY VALDES


performing Erik Satie Improvisations for solo guitar

$15 at the door (cash/Venmo, no presale)


Assembly No. 17 curated by Lester St. Louis & Luke Stewart

7pm doors 8pm music 

Full dinner menu available, seating is first come first serve 

performing live in the back room

PHONG TRAN 

is a Brooklyn-based composer and visual artist primarily working in digital and electronic mediums. His work revolves around emotional experience in digital and nonphysical spaces. Phong’s most recent work, The World We Left Behind, is a ballet made in collaboration with Troy Schumacher (NYC Ballet) and BalletCollective. The work was inspired by a newly commissioned tabletop roleplaying game by Samantha Leigh in which two players collaboratively explore an abandoned world and uncover shared mysteries and secrets.

SAM WENC 


is a composer, improviser, and interdisciplinary artist working with sound, text, performance and installation. Wenc has released music on Where to Now, Moone Records, Noumenal Loom, Sweet Wreath, and Obsolete Staircases. He has performed throughout the US, Canada, and Peru. He’s been artist-in-residence at Elektronmusikstudion EMS (Stockholm, Sweden) and Art OMI (Ghent, NY). In 2022, he composed the score for artist Sophia Giovannitti’s short film “A Monopoly of Violence” presented at Duplex Gallery NYC.

+ all night selector JUSTIN FRYE

…is a musician and visual artist from Virginia Beach, VA, who has been based out of New York City since 2003. Frye has released 5 LPs + countless tapes, 7”s and EPs with his project PC Worship, which also acts as a vessel for his visual art, photography & writing.

$20 at the door, cash/Venmo, no advance tickets 


Vines / Kamra / Yaz Lancaster

March 31, 2024

7pm doors 8pm music

full dinner menu available, seating is first-come first-served

 

performing live in the back room

VINES

…is the solo project of composer, producer, and multi-instrumentalist Cassie Wieland. Praised by The New York Times as “sweetly shimmering,” Vines masterfully experiments with intimate ambient and experimental pop sound worlds to achieve the massive and hand-made vibe she is often searching for. Across her practice, Vines’s music shines a light on knotty feelings that are hidden just under the surface

KAMRA

…is a singer-songwriter raised in the dry desert of Arizona now living between their farm in the Western Catskill Mountains and Toronto. Their music fuses string instruments, experimental sensibilities, field recordings, and band jams. Kamra’s practice centers collaboration, painterly storytelling, and transfigurations that emerge after a spiritual experience. Their popular single “Hear My No” is a socio-cultural cry for more honest communication in relationships. They are also the author of Care Manual, a practical workbook which challenges fixed notions of care, consent, pleasure, and harm. Kamra’s songwriting derives wisdom from lived experience and surfs the waves of traditional African-American music with ethereal charm. Channeling the legacy of Black femme folk singers, Kamra puts their twist on the genre by blending the sentimental deep rich tones with soaring falsettos floating listeners off their feet.

YAZ LANCASTER

…is a transdisciplinary artist residing in Lenapehoking (NYC). Their work as a performer, composer, poet/writer, and collaborator is grounded in queer, DIY, and liberatory frameworks. Their debut record AmethYst, comprising music for violin, voice, and electronics was released in April 2023 (ppr). Recent and upcoming collaborators include Black Mountain College/Hub New Music, Brooklyn Youth Chorus, Dorothy Carlos, Eliza Bagg, Massa Nera, Mingjia, Minnesota Philharmonic, Miss Grit, and Sean Pecknold. Yaz additionally works as the co-manager of people places records, a co-organizer of abolitionist music collective Sound Off, and a freelance (music) writer. They love powerlifting, horror manga, and summers down South.