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Tag: classical music


James Arenas & Los Sucios

April 17, 2024

7pm doors 8pm music 

Full dinner menu available, seating is first come first serve 

performing live in the back room 

JAMES ARENAS & LOS SUCIOS

“…synthesizes such seemingly disparate traditions as the pleading and desperate modern chanson of Jacques Brel; the liquid, undulating dreamscape of David Lynch; and the shadowy sounds of Leonard Cohen.” 

James Arenas – Guitar, Lead Vocal
John Anderson – Upright Bass
Mike Chambers – Electric Guitar
Amy de Arenas – Piano, Synths
Mike Glanzer – Cajon, Percussion
Claudia Mogel – Violin

+special guest
HARVEY VALDES


performing Erik Satie Improvisations for solo guitar

$15 at the door (cash/Venmo, no presale)


Soup & Sound at Sisters

March 22, 2024

Continuum Culture & Arts Presents

7pm doors 8pm music

full dinner menu available

seating is first-come, first-served

performing live in the back room

Judy Dunaway (Boston, MA)
“…is primarily known for her numerous works for latex balloons as sound producers, including sculptural sonic performances, sound installations, interactive pieces and acousmatic works. She has presented these works at premier venues, festivals, museums and galleries throughout North America and Europe.” Balloon Music Manifesto

Devin Gray
Devin Gray’s fresh approach to modern drumming has enabled him to play with many of the world’s great jazz musicians. He is interested in a multitude of musical directions and prioritizes sincerity.

TACTICAL MAYBE 

Tom Blancarte – bass

Nana Pi Aabo-Kim – saxophone

Louise D.E. Jensen – saxophone

Halym Aabo-Kim – drums & euphonium

$15 


Brooklyn Raga Massive Presents

March 17, 2024

Get tickets here

7pm doors 8pm music

Full dinner menu available, seating is first-come first-served

performing live in the back room

GEORGE CROTTY TRIO

George Crotty has forged his own unique vocabulary on the cello. Expanding outward from the cello’s intrinsic lyricism, his sound introduces plaintive Irish ornamentation, melismatic gestures of Indian classical music, adapted electric guitar manoeuvres, and the bold articulation of jazz bass. He writes and performs for solo cello and small ensembles, and collaborates on film scores, original recordings, and theatrical productions. A member of the Brooklyn Raga Massive, and Detroit-based National Arab Orchestra, he has also worked with Bob Ezrin, Simon Shaheen, Paquito D’Rivera, Anat Cohen, and Darol Anger.

COMPASS TRIO 

Compass is a trio that brings an original compositional voice to the three musicians’ collective experience and expertise – Indian raga and tala, the art of flamenco, jazz harmony, and deep groove. The rhythmic form of North Indian music known as theka is a uniquely sophisticated container for exploring time and polyrhythm. Separated by hundreds of years and countless migrations of the Gitano diaspora throughout present day Middle East and Europe we find the same concepts in new forms through the Spanish compas. This musical connection through history and culture is referenced in the name Compass; both a tool to find one’s way home as well as that which structures time in music, another form of finding “home”. Compass Trio is comprised of guitar and effects (James Labrosse), tabla (Tripp Dudley), and sitar (Galen Passen)

Brooklyn Raga Massive is an adventurous nonprofit musicians’ collective that creates cross-cultural understanding through the lens of South Asian classical music by providing direct support to artists, fostering collaboration through our iconic concerts and jam sessions, facilitating cultural exchange through educational initiatives, and producing transcendent, and often massive, performances, festivals, and one-of-a-kind albums. BRM’s original ensembles have performed across the country at venues such as Lincoln Center, Fotografiska NY, Yerba Buena Gardens Festival, Pioneer Works, The Rubin Museum of Art, The Museum of Modern Art, The Metropolitan Museum of Art, The Kennedy Center, and more. Through the curation of our signature series, festivals, and educational programs, we have brought raga into conversation with musical traditions coming from Iraq, Cuba, Morocco, Japan and more.This practice of cross-cultural collaboration both reflects the current global landscape and enables BRM to serve as an incubator of expansive, innovative, new genres of music indigenous to Brooklyn.